Inclusion & Accessibility
BKBX’s Cultural Ethos
BKBX commits to embodying an ever-evolving anti-oppressive vision of the future through our art and practices:
Our art is an invitation for shared imaginative experience, and
Our practices are designed to value each person’s needs in balance with each product’s needs.
This combination serves our mission, which we realize is not a coincidence: making awesome art and destroying oppressive systems go hand in hand.
BROKEN BOX MIME THEATER VALUES AGREEMENT
BKBX seeks to create rich collaborative partnerships that center respect, empathy, and understanding. Below is a document that we share in the spirit of dialogue at the initiation of a new relationship.
Note - we include references to oppression and trauma to contextualize some of the practices listed below.
Why This Document
BKBX acknowledges that our (New York, US-American, global) society operates through a perceived norm and therefore privilege of a white, heterosexual, cisgender, documented citizen, physically and mentally able, English-speaking cultural lens.
This context has a deep and complex history (and present) of abjection of global majority individuals, groups, and ideologies, an abjection which has oftentimes been violent and traumatic. This extends to our society’s artistic, educational, and cultural institutions, of which BKBX is a member with increasing social and financial capital.
It is BKBX’s responsibility, therefore, to address not only our beliefs and values as they pertain to equity, diversity, inclusion, justice, and access, but also to lay out the practices by which we make these ideas actionable.
We invite all of our collaborators, whether they be a board member, artist, volunteer, funder, partner, curator, presenter, or administrator, to join us in upholding these practices whenever possible. Being on the same page at the start of our partnership acknowledges a mutual understanding of shared values, which we hope will enrich our experience together.
BKBX’s Practices
Investing in long-term relationships, aided by our “resident collaborator” model, opportunities for remote project involvement, attention to access needs, and annual childcare funding
Making art that reflects the voices in the room, which informs our belief that all voices have inherent and equitable value *everyone is treated with respect in our spaces*
Prioritizing artist pay in all of our budgets, because artists are essential in our society and systematically underpaid
Inviting a dialogue of regular feedback in order to consistently improve our work and culture
Valuing the authentic body as the unadorned storyteller as well as the audience-member, “however you arrive today is welcome; access this work in way that feels authentic for you today” *it is okay to make noise as an audience member*
Choosing an emergent mindset over ideas of “how it’s always been done” so that we may avoid inheriting problematic mindsets and think creatively about how we operate
Regarding our audiences as a group of individuals, not a monolith, so that we may avoid tokenizing or generalizing and instead honor human complexity
Addressing access needs proactively, then accommodating each individual request
Prioritizing individual safety by following CDC health guidelines, avoiding law enforcement interactions, and inviting/listening to the needs of our individuals
Affirming LGBTQI+ identities by welcoming pronoun-sharing as a norm by making it an invitation, not an obligation
Acknowledging Native Land in a dynamic and responsive format at every public event
Honoring the land on which we reside by making choices that are responsive to our current climate crisis
BKBX asks that all individuals who are engaged with us as collaborators uphold any applicable practices to the best of their ability while working in collaboration with our organization.
This is a living document, and an evolving practice. Email us at brokenboxmime@gmail.com to join the conversation.
ACCESSIBILITY PRACTICE & PROGRAMMING
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Relaxed Performances
A Relaxed Performance (RP) is a designated performance in which the artists and audience agree to relax traditional theater etiquette regarding sound and movement in the house, as well as offer slight technical modifications to make the work more accessible to those with sensory differences. Technical modifications might include leaving the house lights on as a glow, and adjusting sound volume slightly to prevent surprising or possibly uncomfortable sound experiences. Sudden or extreme changes in light or sound such as flashes or bangs might be reduced in a relaxed performance. Additionally, a printable document with images and information about the theater’s layout and the show’s features is provided so that audience members can prepare for their experience.
Because our medium doesn’t rely on spoken language, we find Relaxed Performances in which audience members feel free to respond to our work verbally or with sound in the house especially rewarding. We delight in the challenge of adapting our work to best suit audience needs and provide a meaningful and inclusive experience for audience and artists, alike.
BKBX regularly includes RPs in its production schedule. We performed our first RP in 2017 during our mainstage production SEE REVERSE. Since then, we have included RPs in our family show, DESTINATION: EVERYWHERE, and in our 2019 mainstage, SKIN. We have also toured DESTINATION: EVERYWHERE throughout NYC, including at a Transitional school in Brooklyn where we performed for a wide range of neurodiverse students.
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Interpretation, Captioning, and Audio Description
Because we stage narratives without spoken language, we are especially interested in sharing our work with the d/Deaf community. We consider our mainstage shows accessible to d/Deaf audience members who read English, as the only language in our shows are written title cards. We now provide ASL interpretation at events including our Out Loud Series and our annual community event, the Black & White Ball. Support for American Sign Language interpretation for the Black & White Ball provided in part through funding from Access A.R.T./New York, a program of the Alliance of Resident Theatres/New York (A.R.T./New York).
In 2019 we partnered with the Minnesota Family Fringe Festival to offer accessible performances of our family show, DESTINATION: EVERYWHERE. Accessibility resources included ASL interpretation, Open Captioning, and Audio Description.
As part of our spring 2020 programming, we launched our BKBKids! Youtube channel. All videos that include spoken English are either open or closed captioned. We also produce wordless kids’ videos, which are especially welcoming to people who are non-verbal, on the autism spectrum, and those with sensory needs. Support for audio transcription and video captioning on this production provided in part through funding from Access A.R.T./New York, a program of the Alliance of Resident Theatres/New York (A.R.T./New York).
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Mobility Access
Our main stage shows are presented in theaters that are wheelchair accessible, and when we hold workshops, meetings, or other events we aim to utilize ADA compliant spaces and provide robust accessibility information to guests. We begin our workshops with an invitation to all participants to access the physical games and exercises we offer in a way that feels authentic to their unique body, on that day; and communicate their needs with us if we can do anything to enhance their ability to access the work.
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Touring and Language Accessibility
Our medium is uniquely accessible to audiences with language differences, and we aim to bring shows to communities in which languages other than English are prevalent, within our home city of New York, in other US American locations, and internationally.
To learn more about our values and practices, or share your thoughts, email us.